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Alice Isn't Dead by Joseph Fink
A Beginning at the End by Mike Chen
Billionaire Blend by Cleo Coyle
Binti: Home by Nnedi Okorafor
Birds & Other Animals with Pablo Picasso by Pablo Picasso
Chirp by Kate Messner
Clean Getaway by Nic Stone and Dawud Anyabwile
Cross-Country Cat by Mary Calhoun
Crust No One by Winnie Archer
(Don't) Call Me Crazy edited by Kelly Jensen
Don't Read the Comments by Eric Smith
Everywhere You Want to Be by Christina June
Giant Days Volume 12 by John Allison
Green Lantern: Legacy by Minh Lê and Andie Tong
The Hand on the Wall by Maureen Johnson
I'm Bored by Michael Ian Black and Debbie Ridpath Ohi
Jumanji by Chris Van Allsburg
The Legend of Korra: Ruins of the Empire, Part Two by Michael Dante DiMartino
Llamaphones by Janik Coat
A Mixture of Mischief by Anna Meriano
The Old Truck by Jarrett Pumphrey and Jerome Pumphrey
Once Upon a Grind by Cleo Coyle
The 104-Storey Treehouse by Andy Griffiths and Terry Denton
Race to the Sun by Rebecca Roanhorse
Rogue Princess by B.R. Myers
The Saturday Night Ghost Club by Craig Davidson
The Silence of the Library by Miranda James
Story Boat by Kyo Maclear and Rashin Kheiriyeh
The Thief Knot by Kate Milford and Jaime Zollars

Miscellaneous
It's Monday! What Are You Reading? (February 03)
It's Monday! What Are You Reading? (February 10)
It's Monday! What Are You Reading? (February 17)
It's Monday! What Are You Reading? (February 24)
January 2020 Sources
January 2020 Summary

Road Essays
Road Narrative Update for January 2020

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A Beginning at the End: 02/07/20

A Beginning at the End

A Beginning at the End by Mike Chen is set in near future San Francisco. A pandemic has swept the planet and society is doing its best to function with only a fraction of the post disease population. The story's told from the points of view of a handful of survivors: Krista, Rob, Sunny, and Moira.

Rob works for a media distributor, deciding which stories to broadcast into the San Francisco metro. Sunny is his daughter, a child too young to remember pre-pandemic life. Krista is an events planner. Moira is a coworker of Rob, a former overland survivor, and once upon a time, an idol.

The first event that sets everything in motion is the bounty placed on information on Mojo's location. It's ten grand, an astonishing amount of money in this post-pandemic economy. Krista needs the money and Sunny knows what Mojo looks like. Rob needs someone to help him and Sunny look like a normal, healthy family before he loses custody of his daughter. But everything changes when Sunny easily recognizes Mojo.

The second event that adds urgency to the unfolding events is the return of the virus. Roadblocks between states go up. Travel is restricted. But it's in all of this chaos that the novel takes its place in the road narrative spectrum.

The travelers, even though they are going in separate vehicles and sometimes in different directions, are collectively working as a family (33). Rob and Sunny are actual family but Krista and Moira are helping to make sure they are reunited. Their destination is the Metro (or former city) of Seattle (00). Their route, while it follows the former interstate and sometimes the former Blue Highways, the roadways are falling into disrepair and sometimes they have to make their own way across the land — an offroad (66) one. All together A Beginning at the End is a road narrative about a family traveling to the city by offroad means to make sure they stay a family (330066).

In all of this, Mike Chen spins a near future tale that is hopeful even in the face of horrific tragedy. In the unfolding events of the novel coronavirus and the chartered flights from China and quarantines on military bases, A Beginning at the End is eerily timely.

Chen's next novel is We Could Be Heroes (2021).

Five stars

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