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An Age of License: A Travelogue by Lucy Knisley
Alienated by Melissa Landers
American Panda by Gloria Chao
The Belles by Dhonielle Clayton
The Bone Sparrow by Zana Fraillon
Book Clubbed by Lorna Barrett
The Case for Jamie by Brittany Cavallaro
Cold War on Maplewood Street by Gayle Rosengren
A Dash of Trouble by Anna Meriano
Dragons Beware! by Jorge Aguirre
A Family Is a Family Is a Family by Sara O'Leary
Giant Days, Volume 6 by John Allison
Internet Famous by Danika Stone
The Kairos Mechanism by Kate Milford
Latte Trouble by Cleo Coyle
Lost in the Sun by Lisa Graff
Monsters Beware! by Jorge Aguirre
Out of Tune by Gail Nall
Ozma of Oz by L. Frank Baum
Peeny Butter Fudge by Toni Morrison and Slade Morrison
The Penderwicks in Spring by Jeanne Birdsall
The Prince and the Dressmaker by Jen Wang
The Problim Children by Natalie Lloyd
A Side of Sabotage by C.M. Surrisi
Star-Crossed by Barbara Dee
Step Up to the Plate, Maria Singh by Uma Krishnaswami
Sweet Shadows by Tera Lynn Childs
Sweet Tooth: Deluxe Edition, Book One by Jeff Lemire
Topsy-Turvies: Pictures to Stretch the Imagination by Mitsumasa Anno
The Way to Bea by Kat Yeh
The Wild Robot Escapes by Peter Brown

February 2018 Sources
February 2018 Summary
It's Monday, what are you reading (March 05) It's Monday, what are you reading (March 12) It's Monday, what are you reading (March 19) It's Monday, what are you reading (March 26)

Road Essays
Introduction to the road narrative project
Metaphoric language of marginalized travelers
Place Character Shibboleth: Towards an understanding of bypass stories
Rethinking Urban Fantasy: Where is Nagspeake?
Road trip to the underworld: the Nome King and Hades

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1 star: Did not finish

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The Way to Bea: 03/30/18

The Way to Bea

The Way to Bea by Kat Yeh is about a middle grade student trying to reorient herself as she feels like her life is spinning out of control. Bea is now in seventh grade. She's not ready to be a big sister. She feels lost in her new school. She misses her old routine. Her only escape is the comfort she finds in writing and thinking in haiku.

Bea as a coping mechanism leaves haiku poems hidden in the remains of an old wall that runs between her home and the route to school. One day she finds a note written to her where she had hidden a haiku. The surprise and excitement of finding a note opens her up to other possibilities. It pushes her to expand her horizons.

Bea sees herself navigating through her teens as an off-road, lost experience. Though she's not literally trapped by a cornfield or within a maze, she is emotionally. That emotional entrapment is what leads her to become friends with a boy who is obsessed with labyrinths.

Since Dan is very precise in what he likes and what he doesn't: labyrinths, not mazes, I will be too. Although the words are often used interchangeably, there are schools of thought that define the two a very different things. Labyrinths have a single winding path that goes in, goes to to the center, and winds its way back out again. Mazes, on the other hand, have blind alleys and require some thought to solve.

Dan uses labyrinths as a form of meditation. They calm him down in stressful situations. He likes to visit famous examples of the form as well. He's heard that nearby there is a labyrinth and he's obsessed with getting a way to see it. It's through her desire to help Dan see the labyrinth that she and he and a couple other students form a close knit group of friends.

I have about three pages of favorite quotes transcribed from the book for my road narrative project. I'm still in the process of annotating them. Once I do, I will have a more analytical reading of this book posted as an essay. Right now, though, the short version is that even beyond connecting with it for my research, I loved the book.

Five stars

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