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Day of the Dragon-King (Magic Tree House #14) by Mary Pope Osborne
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Dinosaurs Before Dark (Magic Tree House #1) by Mary Pope Osborne
Don't Say Ain't by Irene Smalls
Do You Want to be My Friend? by Eric Carle
Emmaline and the Bunny by Katherine Hannigan
Esoteric City by Bruce Sterling
Evolution's Shore (aka Chaga) by Ian McDonald
Harriet and the Garden by Nancy Carlson
I Spy Fun House by Jean Marzollo
I Wish That I Had Duck Feet by Dr. Seuss
Jin Jin the Dragon by Grace Chang
Lizzi & Fredl: A Perilous Journey of Love and Faith by William B. Stanford
Logicist by Carol Emshwiller
Madeline and the Cats of Rome by John Bemelmans Marciano
The Mammy by Brendan O'Carroll
Minifred Goes to School by Mordicai Gerstein
Miss Pickerell and the Geigor Counter by Ellen MacGregor
The Napping House by Audrey and Don Wood
Nightwings by Robert Silverberg
One Yellow Lion by Matthew Van Fleet
Opera Cat by Tess Weaver
Queen Vernita Visits the Blue Ice Mountains by Dawn Menge
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The Stars Down Under by Sandra McDonald
Strange Reading by Grant Uden
The Sunless Countries by Karl Schroeder
Tarot Cafe Volume 1 by Sang-Sun Park
Tepper Isn't Going Out by Calvin Trillin
Tiger on a Tree by Anushka Ravishankar
Vacation Under the Volcano (Magic Tree House #13) by Mary Pope Osborne
The West End Horror by Nicholas Meyer
Where Is the Green Sheep by Mem Fox
Yoko's Paper Cranes by Rosemary Wells

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Madeline and the Cats of Rome: 01/09/10

In my review of Mad About Madeline, the omnibus compiled by Ludwig Bemelmans's grandson, I mentioned the posthumously published Madeline in America which was finished by John Bemelmans Marciano. Madeline and the Cats of Rome is Marciano's first attempt to write and draw a Madeline book in his grandfather's style.

Madeline and the Cats of Rome takes Madeline, Miss Clavel, the eleven other girls go to Rome on holiday. While on a walking tour of the famous sites, a child resembling the "bad hat" steels Miss Clavel's camera. Madeline as she is wont to do takes matters into her own hands.

Madeline's chase through Rome is done against paintings of the most well known buildings done in Bemelmans's style. The confrontation and resolution of the stolen camera is a bit preachy compared to the original couple of Madeline books. There's a twist to the resolution that lightens the mood but it's still not as light hearted as the classic Madeline is.

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